9/26/2023 0 Comments Adobe premiere elements 11![]() Folks who are upgrading will pay $80 a pop, or $120 for both. (Facebook, YouTube, Flickr, Shutterfly and SmugMug sharing were already built in.) Amateur videographers will also enjoy a series of new Hollywood-inspired filters, including Red Noir, a "Sin City"-esque effect with red accents, and "Pandora," which is meant to evoke "Avatar." Finally, you can use Time Remapping and Reverse Time to speed up footage or slow it down, respectively.įans of the software will notice the pricing hasn't changed: the two apps cost $100 each, or $150 as a bundle. You can also for the first time view by event, or by the names of people tagged in photos.Īs for new features, Photoshop Elements is getting a series of new comic-inspired filters, including "Pen and Ink," "Graphic Novel" and, yes, "Comic." Photoshop Elements now allows European customers to upload photos to Cewe, while Premiere Elements supports Vimeo uploads. The organizer also now has Google Maps integration, so you can view your shots on a map. Also, both pieces of software ship with a re-tooled image organizer that puts commonly used functions front and center, with lesser-used features like keyword tagging hidden in the menus. Things like preview thumbnails have been brought to the forefront so that they're easier to find. Both have a more readable UI, for instance, as opposed to the old theme with the dark background and low-contrast icons. The company just introduced Photoshop and Premiere Elements 11, and while the two apps include a handful of new photo- and video-editing features, the bigger story is that they're designed to be less intimidating to newbies. The fixed, default behaviour is thoughtfully designed but it's not suitable for every occasion.Earlier this year Adobe announced Photoshop CS6 with a new user interface, and now Elements, its line of beginner-level products, is getting a facelift too. Our biggest disappointment is that there are still no proper ripple editing options. While various other editors automatically apply a dissolve transition when two clips are overlapped, doing this here chops the overlapped clip in half, which has no practical use that we can think of. Holding down Alt and moving the mouse scroll wheel performs this task but it's hopelessly unwieldy, and the on-screen zoom control is a little fiddly too. Timeline navigation is now extremely responsive, but we'd like a better system for zooming in and out. Some of the effects can be fiddly to use, with parameters arranged as a long list of sliders and useful values bunched in the middle of the range. The Project Assets window can be pinned so it stays open, but it needlessly obscures the preview window when the Adjustments panel is open too. Effect settings appear in a panel to the right of the preview, and an extended set of colour-correction filters are permanently plumbed in and ready to use. ![]() Cryptic icons and tabbed panels are out in favour of direct access to key functions such as effects and transitions. The interface has had a thorough redesign and looks much cleaner and more inviting than before. ![]() There's no more frame-rate mishandling or sluggish controls, and preview performance is superb, with smooth playback of 10 AVCHD streams in our tests. Version 11 addresses these concerns head on. As Adobe catered the editor increasingly towards casual users, it seemed to be losing sight of what this editor does best. However, Premiere Elements has been held back by a clunky, unresponsive interface and poor attention to detail, including dropped and repeated frames in previews and exports. Sophisticated multi-layered animations are what this editor does best
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